CategoryBuloga
FormatTXT
File Size946.91 KB
StatusFree
Total Words0
Reading TimeN/A
GroupZafafa Writers Association
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Released08, Jun 2026

Description

 

 The Decision and The Deception

The Prince's Disappointment:
Hydar (the Prince) arrives at his office. He is still deeply bothered by his decision to let his mother choose a bride for him, feeling he should have been more patient. His day is interrupted by Farida, a girl he had been "testing." When she enters, crying and begging for his forgiveness after she sent him nude photos, he remains cold and unmoved. He tells her firmly that he cannot marry a woman who lacks modesty and class. He dismisses her permanently, making it clear that their relationship is over.
The Royal Arrangement:
Meanwhile, Alhaji Mussadiq (the Prince’s uncle) visits the Sarki (the King/the Prince's father) to discuss the marriage. The King reveals that he and his wife, Hajiya Amina, have already decided on Tasleem as the perfect bride for Hydar. Mussadiq is relieved, as he was planning to suggest her anyway.
The King is firm: "I choose Tasleem for Aliyu (Hydar), and I give Aliyu to Tasleem. Period." He orders Mussadiq to instruct Tasleem to prepare for marriage. Later, the King informs his wife, Hajiya Amina, of the decision. She is overjoyed, though she expresses slight concern because Tasleem and Hydar are known to despise each other and refuse to be in the same room. The King dismisses her worries, telling her to let them sort it out once married.
The Secret:
Tasleem’s mother, Hajiya Zainab, is horrified when she learns the groom is Hydar (whom she calls "Black Mamba" due to his dark skin). She knows Tasleem hates him and fears the marriage will be a disaster. However, pressured by her husband, she decides to keep the secret from Tasleem for the time being. They agree to start secretly training Tasleem in the ways of a wife—grooming, home management, and discipline—hoping to "break her in" before the truth comes out.
Tasleem, unaware of the trap, believes the marriage talk has passed and is happy again, spending her time gossiping and talking freely, until her mother interrupts to tell her that from now on, she must learn to control her speech and behavior.

Description and Analysis

  • Genre: Royal Hausa Drama.
  • Central Conflict: The forced union of two people who openly dislike each other (Enemies-to-Lovers trope).
  • Character Archetypes:
    • The Disciplinarian (The King): Represents absolute authority. His word is law, and he ignores the emotional well-being of his son and future daughter-in-law in favor of familial "destiny."
    • The Manipulated Heroine (Tasleem): Currently portrayed as naive and talkative. Her parents are essentially "rehabilitating" her image because they know her current personality is unsuitable for a royal household.
    • The Detached Groom (Hydar): His rejection of Farida proves he holds himself to a very high standard (or perhaps just high arrogance) and is not easily swayed by emotion.
  • Key Themes:
    • Class and Compliance: The parents view Tasleem as a project to be managed. Her own desires are completely irrelevant.
    • Physical Prejudice: The recurring usage of the nickname "Black Mamba" for Hydar by the women in the story highlights a toxic societal bias against his dark complexion, which he seems to weaponize through his cold silence.
    • The "Silent" Power of the Prince: Hydar’s character continues to be defined by his refusal to speak. His silence is used as a tool of dominance in his office, and it is implied that he will be an intimidating presence in his marriage.

      Analytical Note

      The plot is transitioning into a "Ticking Time Bomb" phase. The reader knows the truth (the marriage), but the heroine does not. The author is building tension by focusing on the parents' secret "training" of Tasleem, which foreshadows her inevitable shock when she realizes she is being married to the very man she despises.

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